One of the more interesting conversations in audio over the last few years has been the return of vinyl. Turntables are back, record shops are thriving and manufacturers have responded with everything from entry-level decks to statement products costing many thousands of pounds. What receives far less attention, however, is the humble CD (Compact Disc). That might be a mistake.
While CD sales are nowhere near the levels seen during the format’s peak years, the UK market remains surprisingly resilient. Industry figures show that around 10 million CDs are still purchased annually in the UK, making it far from a dead format. Physical music sales have also shown signs of stabilising in recent years, demonstrating that ownership still matters to a significant number of music fans.
More importantly for installers, there are many millions of CDs sitting in collections or forgotten in boxes across the UK. Anyone over a certain age probably has shelves, loft boxes or cupboards filled with albums collected over decades. EI has a significant collecton of CDs and currently only really plays them in the car for the simple reason, that is where the only CD player left in the family exists. Might be time to change that. Unlike streaming subscriptions, those collections have already been paid for and many owners remain emotionally attached to them. Yet when discussing music solutions with clients, how often are those collections considered?

Some old situation?
Perhaps CDs have suffered from a reputation problem. Vinyl has always enjoyed a certain romance. CDs, by contrast, have often been portrayed as cold, clinical or overly mechanical. EI has never entirely bought into that argument. Many of the format’s early releases still stand up remarkably well today. Albums such as Brothers in Arms by Dire Straits, The Nightfly by Donald Fagen and recordings from labels such as Telarc helped demonstrate just how capable the format could be when handled properly. Also of course don’t forget the SACD format, how many of those are still out in the wild?
The hardware story is also stronger than many realise. While perhaps lacking the visual appeal of a turntable, high-quality CD players continue to be produced by respected manufacturers. Products from Marantz, Technics, McIntosh and Esoteric prove there is still demand for premium disc playback. Even lifestyle brands are responding. Recently, Ruark Audio highlighted growing customer demand for integrated CD playback when launching new products.
Now, CDs are unlikely to generate the same cultural excitement as vinyl. There is no equivalent of Record Store Day queues forming around a compact disc release. However, major and more minor league artists continue to release on the format. Look at any merch table at live shows for evidence of this.
So for installers looking to add value, preserve existing music libraries and help clients reconnect with collections they already own, the format deserves more attention than it often receives.
The vinyl revival may grab the headlines. The CD opportunity, however, might be hiding in plain sight.

